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FORTI - SERTI > Audio Demos

Software Products

Bass Tilt Filters
Midrange Tilt Filters
Treble Tilt Filters
Tone Mutation Vocals
ReBass: Narrow
ReStereo
Tone Mutation Instrument
RiVerb: Up-Front Paces
Reverb: Studios, Soundstages and Symphony Halls

Timbral Impulse Product

Hollywood Sound Timbral Impulse: The LASS Edition
Universal Sordino Timbral Impulses

Reverberation Impulse Products

Hollywood Sound IR Collection 
Hollywood Impulse Responses 
Pure Space Classical 
Pure Space Film 
Full Orchestral Reverb (FORTI)
Small Ensemble Reverb (SERTI)

Sampling CDs

New Orleans, The Delta Grooves 
Drone Archeology 
Sly Dunbar 
Clyde Stubblefield 
Bernard Purdie 
Armando Borg 
Kick'n Jazz

DNA Groove Templates

R&B Collection 
Jazz Collection 
Pop/Rock Collection 
Rhythm Central (Bernard Purdie) 
Clyde Stubblefield 
Armando Borg 
Sly Dunbar 
Kick'n Jazz

Midi Files

Rhythm Central 
Clyde Stubblefield 
Armando Borg 
Sly Dunbar 
Kick'n Jazz

Bluthner Digital Model One

Bluthner Digital Model

Product Registration

Contact

All processed demos created entirely by using FORTI and SERTI with the Vienna Suite Convolution Plugin (and the VSL Limiter already included in the Vienna Suite). 
The limiter was used on some tracks only to quickly adapt output level, not for coloration. 
No other plug-ins (either 3rd party or VSL) were used unless specifically indicated.

Click here to go to aditional String Demos (LASS & VSL)

Live Chloral and Orchestral Demos

"Carmina Burana" by Carl Orff 
Performed by
Whitman College Chorale & Chamber Singers (conducted by Robert Bode)
and the Whitman Wind Ensemble (conducted by Pete Crawford).

Recorded in Cordiner Hall at Whitman College, on April 2, 2005.
For more information about the college please visit www.whitman.edu.
To hear an MP3 of the dry recording, visit their ensembles page.

ER, RI and Bass Enhancement in a classical or dramatic film score context.
Provided as uncompressed and unprocessed stereo file.
Hum removed prior to FORTI-SERTI processing.

Dramatic Hall (Bright TILT Filter on ER)
and Bass Enhanced

Dramatic Hall (with a Bright TILT Filter on ER)

Dramatic Hall (Dark TILT Filter on ER)
Bass Enhanced

Dramatic Hall (Dark TILT Filter on ER)

"Violin Concerto (For Soloist and String Orchestra)" by Hans Gál 
Performed by 
Soloist Annette-Barbara Vogel with the Northern Sinfonia (conducted by Kenneth Woods). 
Sponsered by the University of Western Ontario, Canada.
Recorded for Avie Records. Provided by Simon Fox.

Reverb processing example from two uncompressed stems.
Dry
Reverb Impulse

Organ Demo

Dramatic organ demo performed by Elia Morsanuto shows off two different epic FORTI halls. Processed exclusively with FORTI TILT Filters and Composite Reverb Collection impulses.

Reverb Example
Reverb Example with Dark TILT Filter applied to early reflections

VSL Demos

"Firebird Suite - Danse Infernale" composed by Igor Stravinksy. Processed from an MP3. 
Dry
Dark TILT Filter

"Summer Music (for wind quintet), Op. 31" by Sameul Barber. 
VSL arrangement by Jay Bacal. 
Provided as dry separated tracks, along with a legacy MP3 of the previous mix. 
Listen for the FORTI/SERTI improvements in detail, timbre, expressiveness, tone, clarity and dynamics compared to the legacy mix. 
Dry
Reverb Tail 1
Reverb Tail 1 to with Bright TILT Filter
Reverb Tail2
--The Original MP3 Previously Posted on the VSL Site Using Non-FORTI/SERTI Processing Instead--.

"Fanfare for the Common Man" by Aaron Copland.
Dry
Reverb Impulse with FORTI Bright TILT Filter
Dry
Film EQ TIs applied to each section
Reverb Impulse 1
Reverb Impulse 2
Film EQ TIs applied to each section, Reverb Impulse 1

"Fantasia on a Theme by Thomas Tallis" by Ralph Vaughn Williams. 

VSL arrangement by Jay Bacal. 
Combined Strings

Full Mix (Dry)
Full Mix (Film EQ TIs on each section)
Full Mix (Film EQ on each section and Harmonic Emphasis TIs on Violinas and Violas)

High Strings Mix - Violins and Violas (Film EQ TIs on each section)
High Strings Mix - Violins and Violas (Film EQ and Harmonic Emphasis TIs on each section)
High Strings Mix - Violins and Violas (Dry)

Section Strings
Basses (Dry)
Basses (Film EQ TIs)
Cellos (Dry)
Cellos (Film EQ TIs)
Violas (Dry)
Violas (Film EQ TIs)
Violins(Dry)
Violins (Film EQ TIs)

Also see Jordan Aguirre's "Electronica and Strings Demo"in the Electronica Demos.

World Music Demos

"Sitar Nation" example, processed from an MP3 audio demo provided by Impact Soundworks.
Dry
FORTI Bright TILT Filter, Bass Isolation, Limiter

Vocal Demos

"Listen to the Sound" written and performed by Joanna St. Claire.
Supplied as uncompressed vocal stem for SERTI and FORTI reverb processing.
SORTI Reverb
Dramatic Reverb (Dark TILT Filter applied to ER)
Dramatic Reverb (Bright TILT Filter applied to ER)

Solo Instrument Demos

Alto Saxophone Demo by Michael Cohen. 
Shows several ways to use the SERTI Composite Reverb Collection. 

The SERTI CRC ERs can be used to color wind instruments without losing intimacy. 
SERTI ER Demo (Flat)

Take a small space and make it even richer and warmer using a Dark TILT Filter.
SERTI ER Demo (Dark TILT Filter)

The ER and RI impulses can be combined and modified with the Composite Reverb Collection.

SERTI ER and RI tail Demo (Flat)
SERTI ER and RI tail Demo (Dark TILT Filter applied to both ER and RI)

Acoustic Guitar Demo by Michael Cohen.
Dry
Intimate ER (Strong Bright TILT Filter)
Intermediate ER (Strong Bright TILT Filter)
Larger ER (Moderate Bright TILT Filter)


Ballad Guitar Demo by the legendary Oscar Castro Neves.
Dry
Dark TILT Filter, ER, Highpass Filter

Electric Guitar Demos

These demos show FORTI and SERTI's versatility in both achieving a "live vibe" or "the studio sound", even with compressed material. Created using MP3s provided by Digidesign. 


"Wistful Hippie" 
Use FORTI and SERTI to help enhance simple sound while keeping it "live".
Dry
Bright TILT Filter, Limiter, Bass Isolation, Limiter, Salon RI, Limiter

Reduce the artifacts common in a spontaenous recording.
Bright TILT Filter, Limiter, Bass Isolation, Limiter, Salon RI, Limiter, Highpass Filter, Limiter

"Indie Guitar Demo (Mix)" 
By using FORTI and SERTI to master the mix, even an MP3 can be made to come alive. 
Listen to the rich, full sound that a Bright Filter and Bass Enhancement can give to even a "lossy" recording. 
Dry
Bright TILT Filter, Bass Enhancement, Limiter

Drum and Beat Demos

"Funky Drumming" by Clyde Stubblefield (the most sampled drummer in the world). 
Hear more at www.myspace.com/clydestubblefieldband
Beefed up with Bass Enhancement and Dark TILT Filter processing on a single stereo file.
Dry
Dark TILT Filter
Bass Enhancement 1
Bass Enhancement 1 (Dark TILT Filter)
Bass Enhancement 2 
Bass Enhancement 2 (Dark TILT Filter)

Drum kit performance by the excellent Bernard Purdie, the world's most recorded drummer. 
Hear more at www.bernardpurdie.com
Dry
Bass Enhancement A - Bright TILT Filter - Limiter
Bass Enhancement B - Bright TILT Filter - Limiter
Bass Enhancement C - Bright TILT Filter - Limiter

Drum machine library demos courtesy of www.goldbaby.co.nz/
Make beats groove, full, round, smooth or vintage with a Dark TILT filter.

XRB Sample Pack
Dry
Bright TILT Filter, Bass Enhancement, Limiter

Custom DMX
Dry
Dark TILT Filter

Or use heavy FORTI and SERTI to change the sound completely for post-production work.
 Bright TILT Filter, Bass Enhnacment, Limiter, Dark TILT Filter, CRC Impulse

Tape 909
Place the retro sound of the iconic 808 or 909 into a modern mix using Bass Isolation and Highpass Filters and Bright TILT filters.
Example 1 Dry
Example 1 Bass Isolation, Highpass Filter, Limiter
Example 1 Bass Isolation, Highpass Filter, Early Reflections (with Dark TILT Filter), Limiter
Example 2 Dry
Example 2 Bright TILT Filter, Limiter
Example 2 "Edge Treatment": Bright TILT Filter (high magnitude), Limiter

Tape 808
Dry
Bass Enhancement

Use the CRC to give your track verb while still keeping the sound just as splashy as you want it.
Bass Enhancement, ER with Bright TILT Filter, Limiter

Or use a Dark Tilt Filter to give your verb a richer tone.
Bass Enhancement, ER with Dark TILT Filter, Limiter

Tape Drum Machines Vol. 1
Dry
Bright TILT Filter, Bass Processing, Limiter

Vinyl Drum Machines Vol. 1
Dry
Bright TILT Filter, Bass Treatment, Limiter
Bright TILT Filter, Bass Treatment, Limiter, CRC

Electronica Demos

"Carbon Based Violence" by Slighter (a.k.a. Colin C.) full separated stems for processing.
You can hear more at http://audioc3ll.com/
Mix (Dry)
Mix (Bright TILT Filter, Bass Isolation, Limiter)
Bass Track (Dry)
Bass Track (Bass Isolation and Low Cut)

"Just A Side Effect (feat. John Girgus)" by Slighter (a.k.a. Colin C.)
Processed the full fidelity un-mastered mix. You can hear more at http://audioc3ll.com/
Dry
Bright TILT Filter, Bass Isolation, Limiter

"Electronica and Strings Demo" by bLiNd (a.k.a. Jordan Aguirre).
Uses uncomprssed stems (including VSL Orchestral Strings divided into four sections).
Hear more at http://www.blind-music.com/.

bLiNd The Full Mix (Strings, Bass Synth, Beats and Lead)
Full Mix (Dry)
Full Mix (Film EQ TIs applied to each string section)
Full Mix (Harmonic Emphasis TIs applied to violas and violins)
Full Mix (Film EQ TIs on each section - Harmonic Emphasis TIs applied to violas and violins)

bLiNd Strings Mix
String Mix (Dry)
String Mix (Film EQ TIs applied to each section)
String Mix (Harmonic Emphasis TIs applied to violas and violins)
String Mix (Film EQ TIs on each section - Harmonic Emphasis TIs applied to violas and violins)

bLiNd Individual Sting Sections
Basses (Dry)
Basses (Film EQ TI)
Cellos (Dry)
Cellos (FILM EQ TI)
Violas (Dry)
Violas (Film EQ TI)
Violas (Harmonic Emphasis TI)
Violas (Film EQ and Harmonic Emphasis TI)
Violins (Dry)
Violins (Film EQ TI)
Violins (Harmonic Emphasis TI)
Violins (Film EQ and Harmonic Emphasis TI)

For more string examples see
"Fantasia On A Theme By Thomas Tallis"
and
Beethoven's "String Quartet No. 3, Mvt. 4"
in VSL Demos.

Synth, Sound Design and Sound FX Demos

"Sweep Demo" using Lennar Digital's Sylenth1.
Dry
Multiple Bass Isolation Impulses


"Colossus Bass Demo" using the Apple Logic ES2 patch of the same name.
Dry
Bass Isolation, Limiter

"Buzz Synth" using an Apple Logic soft synth.
Dry
Bass Isolation (Cutoff 65 Hz)
Bass Isolation (Cutoff 82 Hz)
Bass Isolation (Cutoff 98 Hz)
Bass Isolation (Cutoff 130 Hz)
Bass Isolation (Cutoff 165 Hz)

Rack extensions

Bass Tilt Filters
Midrange Tilt Filters
Treble Tilt Filters
Tone Mutation Vocals
ReBass Narrow
ReStereo
Tone Mutation Instrument
Riverb Up-Front

Timbral Impulse Products

Hollywood Sound Timbral Impluse : The LASS edition

Reverberation Impulse Products

Hollywood Sound IR
Hollywood Impulse Response
Hollywood Impulse Response Demo
FORTI SERTI

Sampling CDs

New Orleans
Drone Archeology
Sly Dunbar
Clyde Stubblefield
Bernard Purdie
Amando Bog
Kick'n Jazz

DNA Groove Templates

DNA R&B
DNA Jazz Collection
DNA Pop & Rock Collection
DNA Rhythm Central (Bernard Purdie)
DNA Clyde Stubblefield
DNA Amando Bog
DNA Sly Dunbar
DNA Kick'n Jazz

Midi Files

Midi Rhythm Central
Midi Clyde Stubblefield
Midi Amando Bog
Midi Sly Dunbar
Midi Kick'n Jazz

Bluthner Digital Mode

Bluthner Digital Mode One

Products Reviews

Pure Space Review
Drone Archeology Reviews

Products Registration

Reverberation Impulse Products Registration
Sampling CDs Registration

PRODUCTS

Rack Extensions
Timbral Impulse Products
Reverberation Impulse Products
Sampling CDs
DNA Groove Templates
Midi Files
Bluthner Digital Mode
Product Reviews
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          • Pure Space Demos
      • FORTI SERTI >
        • FORTI and SERTI Shootout
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