FORTI and
SERTI Combined Audio Demos
Demo Notes
All processed demos created entirely by
using FORTI and SERTI with the Vienna Suite Convolution Plugin (and the
VSL Limiter already included in the Vienna Suite).
The limiter was used on some tracks only to
quickly adapt output level, not for coloration.
No other plug-ins (either 3rd party or
VSL) were used unless specifically indicated.
Click
here to go to aditional String Demos (LASS & VSL)
Dramatic
Hall
(Bright
TILT Filter on ER)
and Bass Enhanced
Dramatic
Hall
(with
a Bright TILT Filter on ER)
Dramatic
Hall
(Dark
TILT Filter on ER)
Bass Enhanced
Dramatic
Hall
(Dark
TILT Filter on ER)
Dry
Dark
TILT
Filter
Reverb
Tail
1
Reverb
Tail
1
to with Bright TILT Filter
Reverb
Tail2
--The
Original
MP3
Previously Posted on the VSL Site Using Non-FORTI/SERTI
Processing Instead--.
"Fanfare
for the Common Man" by Aaron
Copland.
Reverb
Impulse
with
FORTI Bright TILT Filter
Dry
Film
EQ
TIs
applied to each section
Reverb
Impulse
1
Reverb
Impulse
2
Film
EQ
TIs
applied to each section, Reverb Impulse 1
"Fantasia
on
a
Theme by Thomas Tallis" by Ralph Vaughn Williams.
VSL
arrangement by Jay Bacal.
Combined
Strings
Full
Mix
(Dry)
Full
Mix
(Film
EQ TIs on each section)
Full
Mix
(Film
EQ on each section and Harmonic Emphasis TIs on Violinas and
Violas)
High
Strings
Mix
- Violins and Violas (Film EQ TIs on each section)
High
Strings
Mix
- Violins and Violas (Film EQ and Harmonic Emphasis TIs on
each section)
High
Strings
Mix
- Violins and Violas (Dry)
Section Strings
Basses
(Dry)
Basses
(Film
EQ
TIs)
Cellos
(Dry)
Cellos
(Film
EQ
TIs)
Violas
(Dry)
Violas
(Film
EQ
TIs)
Violins(Dry)
Violins
(Film
EQ
TIs)
Take a small
space and make it even richer and warmer using a Dark TILT Filter.
Reduce the
artifacts common in a spontaenous recording.
Bright
TILT
Filter,
Bass Enhancement, Limiter
XRB Sample Pack
Dry
Bass
Enhancement
Use the CRC to
give your track verb while still keeping the sound just as splashy as
you want it.
Bass
Enhancement,
ER
with Bright TILT Filter, Limiter
Or use a Dark
Tilt Filter to give your verb a richer tone.
Bass
Enhancement,
ER
with Dark TILT Filter, Limiter
Tape Drum Machines
Vol. 1
Bright
TILT
Filter,
Bass Processing, Limiter
Vinyl Drum Machines
Vol. 1
Dry
Bright
TILT
Filter,
Bass Treatment, Limiter
Bright
TILT
Filter,
Bass Treatment, Limiter, CRC
Mix
(Dry)
Mix
(Bright
TILT
Filter, Bass Isolation, Limiter)
Bass
Track
(Dry)
Bass
Track
(Bass
Isolation and Low Cut)
Dry
Bright
TILT
Filter,
Bass Isolation, Limiter
Full
Mix
(Dry)
Full
Mix
(Film
EQ TIs applied to each string section)
Full
Mix
(Harmonic
Emphasis TIs applied to violas and violins)
Full
Mix
(Film
EQ TIs on each section - Harmonic Emphasis TIs applied to
violas and violins)
String
Mix
(Dry)
String
Mix
(Film
EQ TIs applied to each section)
String
Mix
(Harmonic
Emphasis TIs applied to violas and violins)
String
Mix
(Film
EQ TIs on each section - Harmonic Emphasis TIs applied to
violas and violins)
bLiNd Individual String Sections
Basses
(Dry)
Basses
(Film
EQ
TI)
Cellos
(Dry)
Cellos
(FILM
EQ
TI)
Violas
(Dry)
Violas
(Film
EQ
TI)
Violas
(Harmonic
Emphasis
TI)
Violas
(Film
EQ
and Harmonic Emphasis TI)
Violins
(Dry)
Violins
(Film
EQ
TI)
Violins
(Harmonic
Emphasis
TI)
Violins
(Film
EQ
and Harmonic Emphasis TI)
Multiple
Bass
Isolation
Impulses
"Colossus Bass Demo" using the Apple
Logic ES2 patch of the same name.
"Buzz Synth" using an Apple Logic soft synth.
Dry
Bass
Isolation
(Cutoff
65 Hz)
Bass
Isolation
(Cutoff
82 Hz)
Bass
Isolation
(Cutoff
98 Hz)
Bass
Isolation
(Cutoff
130 Hz)
Bass
Isolation
(Cutoff
165 Hz)
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