A new
rack extension
plugin for
Reason
6.5.1 and Reason
Essentials 1.5.1
Numerical
Sound ReStereo instantly
gives your mono tracks the
highest-end stereo sound
that only elite recording
engineers could
achieve - until now. Choose
from 25 stereo fields that
span every size
from solo instrument to
large ensemble. Innovative
audiophile
artifact-free design
preserves both bass and
maximum clarity
automatically. Can improve
every mono track in your
mix.
Multitrack
Mix with ReStereo
Here is a multi-track full mix
where ReStereo was added to 11
mono tracks converting them to
stereo. The session, Reason
mix details and the two
versions first with
ReStereo followed by the without
ReStereo can be heard and seen
here;
Special
Thanks to The Brew and
TELEFUNKEN Elektroakustik
for permission to use this
performance.
Here is a link to the with 11
instances of ReStereo in the
mix.
Here is the identical mix with
ReStereo not included.
Numerical
Sound ReStereo brings
options that could
previously only be
achieved at the
recording stage to the
mixing stage for the
first
time. It does not sound
like a stereo plug-in:
it sounds like a new
stereo recording. But
the design goes beyond
by making the process
fool-proof. With live
stereo-miking engineers
have to carefully
control phase and
pick-up patterns, using
specific microphones and
making sure to record in
only the best acoustic
spaces. With ReStereo,
there are no phase or
frequency artifacts on
any sound you apply it
to: you can use it on
every track in a mix
with great result.
ReStereo differs from
stereo FX, because it
does not sound like an
effect at all. It just
sounds like a better
recording. The sound has
a
clearer sense of space,
immediacy and realism
that is fundamentally
different from what a
mono recording can
provide alone. That’s
because
ReStereo mimics the way
we really hear things:
in real-life, the
difference between what
each of our ears hears
places sounds in the
world around us. Without
that information, we
sub-consciously
recognize sound as
artificial.
The ReStereo approach
preserves transients and
clarity, so you don’t
get the smearing and
wash that results from
using too much reverb to
place a mono sound in
the stereo field. It
also avoids the
“recognizable effect”
hurdle that so many
other stereo effects
(such
as modulation effects
like chorus, flanger or
phaser or band-splitting
plug-ins) that can make
a recording sound
artificial. The realism
of
the ReStereo sound means
that it can be used in
any genre.
ReStereo’s easy design
means you can quickly
try it on any sound.
Want
to emulate the stereo
vocal approach of
multi-Platinum
recordings like
Michael Jackson’s
Thriller? Just throw
ReStereo onto the mono
vocal
track. Want to try
giving that bass a sense
of space? Hear it in
seconds with ReStereo.
* Adjust the stereo
width and pan to
precisely position a
track in a mix.
“ Audiophile design
supports 22.05, 44.1,
48, 88.2, 96 and 192 KHz
sample rates, with
processing transparently
optimized for each
sample
rate.
